(continued from part 1)
What kind of writer are you?
Look at your desk and consider for a moment how much of it is dedicated to writing as opposed to say… entertainment? Do you have a stereo on the desk? I don’t, but maybe you do, and maybe it is there for a good reason, maybe you can’t get any work done unless you are listening to mood music? Do you have a selection of CDs that you keep handy so you can put on the right type of music for each of your scenes that you are working on? Sort of like the soundtrack in a movie. This would probably mean that you are into sensory stimulation when you are writing and if you hit writer’s block then maybe all you need is some alone time with a pen and paper and the right kind of music to get the muses back in line?
Look back at your desk and the shelves in your office. What else is there? There… on that shelf, what are those? Are they… ummm.. dare I call them toys? I know I have toys in my office. Well, I don’t really think of them as toys, they are props. Watch any movie, you see props to help make the movie seem more real. I have a Lego dragon with his warrior rider sitting up on a shelf behind me. Why? No, I don’t take him down and play with him (no, really, I don’t) I have him as a design for what a harness and saddle on a dragon might look like. How might someone ride a dragon? Would that nose ring with chains leading back to the rider really be a practical way to steer a dragon? I have other toy- errr props in here too. A pair of modified Barbie dolls that I made up as fairies gives me an idea for what my idea of a fairy would look like. A marionette of a horse hung by my book case is currently playing a role in a short story I am working on that has a toy maker in a medieval village creating marionettes - I don’t know if this story will go anywhere or not, but it is something I have hopes for.
Okay, so now we know if you are a visual writer. Other clues that you are a visual writer would be if, like me, you have a map of your world. Now, maybe it’s not painted on the wall like mine, you might have it rolled up in a drawer or tucked in a notebook, but maps are very visual items and the more you have the more likely you are to be a visual writer. Pictures of your characters, rather drawn by you or cut from magazines, are another sign of you being a visual writer.
Visual writers can often push back writer’s block by sitting and studying something on a shelf. I do visual writing because I got the idea for my story about the toy maker just by staring at the horse marionette. If you get your best ideas when you are staring at something, rather it is a dragon figure or the model of a space ship, then you might consider decorations for your office that match that need.
What comes as a natural next for the types of writers? Physical. Do you get your ideas not when staring at the space ship, but when you get frustrated and pick it up to send it swooping through the office battling the ships in the posters on the walls? Do you like to dig out your child’s (no, really, they are the kids’s) building blocks and construct a space port for those little Lego men to explore and draw wonderful story ideas from that? When you are writing a scene for a sword fight do you find it best to get up and grab the broom (or that sword on the wall) and act out the stances? These could all be indications that you are a physical writer. Someone who’s best ideas and stories stem from experience.
And I suppose that experience could be considered another type of writer as well. Someone that writes best from experience might take archery lessons just so they can learn what it is like to be an archer. They might go camping when they want to write a scene about their hero out living off the land. I’ve been known to walk to the top of a mountain and sit with a notebook and pencil just so I can write down, first hand, what the view my characters would have seen was like. So I could get the tones of the mountains in the distance right, so I could get the feel of the breeze at that altitude right, so I could determine if the characters would see clouds below them or not in the valley and just how much detail they could see of the valley floor. Experience writers might join the Society for Creative Anachronism (SCA) or other living history groups just so they can immerse themselves in the sensations their characters would experience. They might be members of Live Action Role Playing Groups that are in line with the type of writing they do - some mystery writers, for example, probably jump on all the mystery train rides and go to all the weekend mystery dinner theater events.
So, now that we know more or less what we are looking for, can you better define what kind of writer you are? Me, I’m a visual writer with a touch of physical and a smidgen of experience. I like to sit back and stare at things until an idea clicks, but there are times when I have most definitely pulled that sword down from the wall and gone after an imaginary opponent to determine how that move would have been done. Or done a tumble across the floor to see if the hero really could roll up to that position I wanted them to. And I have immersed myself in experience a few times, needing to see through the eyes of my characters and discover just how something would have played out. I have danced with princes and stood shoulder to shoulder with warriors in battle (both when I was in the SCA).
Decide what kind of writer you are, find out what it is that makes you happiest when you are writing, and then use that knowledge to coerce the muses into speaking to you. Don’t be afraid to decorate your office with toys if they are toys that can help you to learn more about how an item found in your novel world might look or feel. Create your own props if you need to, I have scroll tubes and wands littering my work room in various stages of completion that will one day be proudly displayed in my office as decorations that can help me to coerce the muses to speak to me. It’s not about who has the most toys, it’s about who has the toys that will help them the most. Or the music collection, or the bottles of perfumes and other scents, or the maps, or… you get the idea, so get to work and build a truly muse inspiring office to work in - or at least a muse inspiring box you can pull down and look through when the muses have fled.